2021 — PRESENT
PERSONAL WORK
Sometimes I work for $$$ and sometimes I work for fun! This is a collection of some of my personal work throughout the years.
Each course needs around 8-15 of these graphics depending on the length. In order to avoid visual clutter, we work with different levels of fidelity that create variation. Illustrations below are broken up by categories, ranging from highest fidelity to lowest.
Some of the courses I've created in collaboration with instructional designers and curriculum managers.
The characters I've created for the Mastery brand and their unique attributes.
WHAT YOU WILL SEE
A collection of mildly successful experiments with new tools, styles, color palettes, and the occasional battle against boredom.
36 Days of Type is a yearly project that invites designers, illustrators and graphic artists to express their particular interpretation of the letters and numbers of the Latin Alphabet.
And we all know what that means: obsessively design everything yourself, have multiple mental breakdowns because it’s way more work than you anticipated, regret every choice along the way, and then finally feel satisfied when it all comes together.
Each course needs around 8-15 of these graphics depending on the length. In order to avoid visual clutter, we work with different levels of fidelity that create variation. Illustrations below are broken up by categories, ranging from highest fidelity to lowest.
Some of the courses I've created in collaboration with instructional designers and curriculum managers.
The characters I've created for the Mastery brand and their unique attributes.
And we all know what that means: obsessively design everything yourself, have multiple mental breakdowns because it’s way more work than you anticipated, regret every choice along the way, and then finally feel satisfied when it all comes together.
36 Days of Type is a yearly project that invites designers, illustrators and graphic artists to express their particular interpretation of the letters and numbers of the Latin Alphabet.
My concept is to represent a building or structure corresponding to each designated letter. For the numbers, I decided to break the rule and simply let each shape reflect whatever I felt it represented best—in other words, I just did whatever I wanted!
A collection of mildly successful experiments with new tools, styles, color palettes, and the occasional battle against boredom.
My concept is to represent a building or structure corresponding to each designated letter. For the numbers, I decided to break the rule and simply let each shape reflect whatever I felt it represented best—in other words, I just did whatever I wanted!
WANT TO SEE MORE? MAYBE SOME BRANDING?
Great. Because there is a lot. Click on the buttons below.
